Modernism among carpenters and in furniture design is a trend that gained popularity in the early 20th century and continued for many decades, including during the times of the Polish People's Republic (PRL). Modernism in carpentry was characterized by simplicity, functionality and experimenting with new materials and production techniques. This movement played a significant role in shaping the approach to furniture design and production, influencing the aesthetics and functionality of use.

Features of modernism in carpentry:

  • Simplicity and minimalism : Modernist furniture avoided unnecessary decorations in favor of simple, clean lines and forms. Design emphasized "form following function", which means that the aesthetic aspects of the furniture were to result directly from its utility value.
  • Functionality : The furniture was designed to be, above all, practical and comfortable to use. Multifunctionality and modularity became key aspects, especially important in the context of changing housing needs after World War II.
  • Experimenting with materials : Modernism opened the way to experimenting with new materials such as plywood, metal, glass and plastics, which often replaced traditional wood. This allowed the creation of furniture with innovative forms and properties that were previously difficult or impossible to achieve.
  • Integration with other fields : Under modernism, furniture design was often combined with architecture and art, which encouraged an interdisciplinary approach to creating living spaces. Furniture was no longer individual pieces of equipment, but part of a larger, coherent aesthetic vision.

Modernism in Poland

In Poland, as in other countries, modernism in carpentry was visible both before and after World War II. During the Polish People's Republic, despite the limitations resulting from the centrally planned economy, there was significant development in the field of furniture design. Designs such as system furniture that were easy to mass produce, functional and aesthetically consistent with the principles of modernism became popular. Examples include the works of Oskar and Zofia Hansen, who promoted the idea of ​​"Open Forms" in architecture and design, or the designs of Rajmund Hałas, which were characterized by simplicity of form and functionality.

Challenges and legacy

Although modernism in carpentry in Poland encountered various challenges, such as limited access to materials and political and economic restrictions, many significant successes were achieved in the field of furniture design. The legacy of modernism is visible in the continuing interest in simplicity, functionality and innovation in furniture design, which influences both contemporary design and the approach to furniture production.